Finden Sie perfekte Stock-Fotos zum Thema Terence Stamp sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. Alle Infos zu Terence Stamp, bekannt aus Star Wars: Episode I - Die dunkle Bedrohung und Wanted: Der britische Schauspieler Terence Stamp wurde für. Terence Stamp ist ein britischer Schauspieler.
Terence StampFinden Sie perfekte Stock-Fotos zum Thema Terence Stamp sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. September ; Darsteller: Terence Stamp, Peter Fonda, Lesley Ann Warren, Barry Newman, Terence Stamp; Sprache: Deutsch (Dolby Digital ), Deutsch. Terence Stamp ist ein britischer Schauspieler.
Terence Stamp Contribute to This Page VideoTerence Stamp - Top 35 Highest Rated Movies
The day-to-day thing was awful, and I couldn't live with it. So I bought a round-the-world ticket and left.
On Superman This was my comeback movie. I couldn't find work and I couldn't bear waking up every day and the phone not ringing, or if it did, it was my agent telling me they were looking for a 'young Terence Stamp.
So I decided to travel instead of waiting around, and months became years. I didn't do anything of any significance between '69 and '77, I was a swami in an ashram, with long hair and a beard, and I was in orange learning all these metaphysical techniques and breathing and tantra and finally I got to an ashram in Pune and it seemed like the most beautiful women from every country in the world were there, and they were all totally empowered.
I was learning to separate orgasm from ejaculation. I was rechanneling the lifeforce I thought no, I won't go back to showbiz, this is my life now.
Then I went back to this hotel for a weekend, and I must have sent my agent a postcard from there a year before, and as I come in the concierge hands me a telegram, and it's addressed to "Clarence Stamp" and it's dogeared and I don't know how old it was.
And he puts it in my hand and the psychic weight of this telegram! I knew my life was about to change. It was from my long-suffering agent: "Would you consider coming to London to meet with Richard Donner about Superman I and II,' you'll have scenes with Marlon Brando.
And on the way would you stop in Paris and meet with Peter Brook about a film of Gurdjieff's book Meetings with Remarkable Men?
I had let go of all of it. On the Monday I was General Zod and on the Tuesday I was Prince Lubodevsky - it was in the same studio!
When I walked on the set, it seemed like everyone was asleep, but I was so, so ready. The only guy who was really up for it was Brando - he totally understood where I was coming from.
A lot of young directors, they're not confident; they're not open to the emotional level of the scene. A lot of newspapers say, Terence Stamp is playing himself and we're as bored as he is.
I have always had this energy, which I think of as overdrive. He's Soderbergh, we're working for him. It doesn't matter what he's doing; we'll see it at the premiere.
BBC News. Retrieved 29 April Categories : births Living people Actors from London English movie actors English stage actors English television actors English voice actors Golden Globe Award winning actors London Borough of Tower Hamlets.
Hidden categories: Commons category link from Wikidata Internet Broadway Database person ID same as Wikidata. One of the themes is death.
My character Willie has betrayed a gang boss in exchange for his freedom and a new identity, and has lived for years preparing for his inevitable assassination.
There is a key sequence where Willie tries to convince Braddock that death is only the price of having had an individuality. In other words, he accepts his fate.
To this end, Willie reads Braddock a John Donne sonnet. Whilst a lot of directors and actors are happy to get it on the first take, others use the first take as a rehearsal on film.
Both John and director Stephen Frears are in the latter category. On the master shot, John and I played the complete scene. It went well, and the camera was being reset for the singles when I felt a delicate shift in consciousness and knew from past experience there was not actually anything I could do to prolong or strengthen this shift - this was going to be the moment.
In that moment, I settled into the stillness which encompasses everything, and the words seemed to flow effortlessly from it. Then, suddenly, there were strident voices in the distance; shouts cracking the calm.
Thoughts that were only background shadows became front and centre in my mind. Willie was gone. Terence was back.
The moment passed. That feeling of utter loss was beginning…. I take a deep breath. I wait. I feel the energy of our focused crew.
I offer myself to it. My thoughts slow, becoming once more static on the surface of an awareness that extends in all directions.
The dialogue wells up once more. Is spoken. An unfamiliar sensation - condition would be a more apt description - as if every word that comes out of my mouth is accommodated by a prepared space; airy fingers into a delicate made-to-measure doeskin glove.
The take ends. The camera stops. The soft, pervasive space becomes, once again, the canvas on which the less subtle ambience arises.
A few of the burly technicians come close to me. One grins. One rubs my shoulder. Camera is repositioned on John.
We do his single. The first take is good. John gives one of his lugubrious grins. Christopher Thomas Stamp 7 July — 24 November    was a British music producer and manager known for co-managing and producing such musical acts as the Who and Jimi Hendrix in the s and s and co-founding the now defunct Track Records.
Born into a working-class family, Stamp and his four siblings started their lives in London 's East End. Actor Terence Stamp born is his older brother.
Stamp started out as a filmmaker and met business partner and collaborator Kit Lambert while working at Shepperton Film Studios as an assistant director—they both worked on such films as I Could Go On Singing , The L-Shaped Room and Of Human Bondage.
Eventually the pair came to share a flat in west London , and in Lambert convinced Stamp that the two should direct their own film about the burgeoning British rock scene.
They would be rebellious, anarchistic and uniquely different from the established English pop scene," said Stamp. Stamp and Lambert met the members of The Who during one of their performances at the Railway Hotel no longer standing in Harrow and Wealdstone.
At that time the band was known as the High Numbers. I shall always remember that night we first saw them together. I had never seen anything like it.
The Who have a hypnotic effect on an audience. I realized that the first time I saw them. It was like a black mass. Even then Pete Townshend was doing all that electronic feedback stuff.
Keith Moon was going wild on the drums. The effect on the audience was tremendous. Legal Eagles. Cold War Killers.
The Hit. Mystery on Monster Island. Superman II. I Love You, I Love You Not. The Divine Nymph. Meetings With Remarkable Men.
The Thief of Baghdad. Superman: The Movie. The Mind of Mr. Spirits of the Dead. Poor Cow. Far From the Madding Crowd.